Also see Henry Louis Gates Jr., “Frederick Douglass’s Camera Obscura: Representing the Antislave ‘Clothed and in Their Own Form,’” Critical Inquiry 42, no. ![]() For the full transcript of all of these speeches, see John Stauffer, Zoe Trodd, and Celeste-Marie Bernier, Picturing Frederick Douglass: An Illustrated Biography of the Nineteenth Century’s Most Photographed American (New York: Liveright, 2015). Douglass delivered another version of this speech at Wieting Hall in Syracuse, New York, on November 15, 1861. Blassingame (New Haven, CT: Yale University Press, 1985), 453, 459. 1, Speeches, Debates, and Interviews, vol. See Frederick Douglass, “Pictures and Progress,” in The Frederick Douglass Papers, ser. In the past decade, there has been a groundswell of work on Frederick Douglass’s discourse on pictures in both art history and African American studies.
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